The Writing Process Blog Tour

I have tagged Rachel Dax, author of “After the Night” and “The Legend of Pope Joan.” Rachel is also a film director and producer and a great photographer of Wales and the UK. Thanks, Rachel!

Sheila Connolly

I’ve been tagged by Caren J. Werlinger for this blog tour [#Mywritingprocess]. I have read many of Caren’s books over the last couple of months, and I have to say, I am awed by her writing skill and her storytelling ability.  If you want to see what she is up to, you can find her blog on this subject HERE.

  1. What am I working on?

I have to be a little circumspect about this, as I am still very much in the ‘germ of an idea’ phase for the next project, and I haven’t discussed it with my publisher (Clover Valley Press) yet. However, I am hoping to develop a series of books set in the assessment world. There is a lot about academic and certification testing that is more myth than truth, and I’d like to try and demystify that subject by writing a series of novels with a testing company and/or staff…

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The Writing Process Blog Tour

I’ve been tagged by Caren J. Werlinger for this blog tour [#Mywritingprocess]. I have read many of Caren’s books over the last couple of months, and I have to say, I am awed by her writing skill and her storytelling ability.  If you want to see what she is up to, you can find her blog on this subject HERE.

  1. What am I working on?

I have to be a little circumspect about this, as I am still very much in the ‘germ of an idea’ phase for the next project, and I haven’t discussed it with my publisher (Clover Valley Press) yet. However, I am hoping to develop a series of books set in the assessment world. There is a lot about academic and certification testing that is more myth than truth, and I’d like to try and demystify that subject by writing a series of novels with a testing company and/or staff as the backdrop. For those of you who have read Maggie’s Mechanics, I’m considering how I can bring Maggie and Bett into one of the books, if only for a cameo appearance.

I had a great conversation with my sister a few weeks back. She is very picky about what she thinks is good writing. She says one of the things that is so annoying about lesfic novels is that whenever a main character in book says “I’m a [fill in the blank] professional,” she expects to learn something about what people in that profession do. “Even if it’s washing windows or cleaning other peoples’ houses. There has to be some reason that the writer mentioned that the character does X for a living, so tell me what it’s like. How does it shape that person as an individual.”  Her perspective gave me some food for thought, and I hope to be able to do something with that in my next book(s).  BTW, there are many lesfic authors that do a fabulous job of depicting three-dimensional characters and how their chosen professions helped to form them:  Andi Marquette, Rachel Dax, Susan X. Meagher, Suzanne Egerton, Caren Werlinger, and Cathy Rowlands are just a few that come to mind from my reading over the last 6 months.

  1. How does my work differ from others in the same genre?

I’m new at this novel-writing and being-published business, and Maggie’s Mechanics reflects a different era with different challenges from what is currently going on in the world of gay and queer folks. Also, I’m definitely in the slightly older lesbian (SOL) age group. So while I expect to continue writing books that reflect some kind of mystery / love interest, they aren’t likely to get confused with contemporary romance novels or thrillers. And I’m hoping they will be met with pleasure by people who enjoy a dose of “I didn’t know that!” in their reading.

  1. Why do I write what I do?

One of the great things about surviving my 20’s and 30’s and 40’s (you get the picture, right?) is that, with each passing decade, I get to sort out some of the events of my life; some of the things that drove me to behave certain ways or react to other people the way I did. Now, for those of you who might not have experienced these ages as ‘passing decades’ yet, I just want to say that getting older doesn’t mean you get to go back and have a do-over for those things. However, certain patterns do emerge, and even things that aren’t patterns can show up as a kind of fork in the road. I sometimes find myself pausing and thinking, “Now, why do I keep wanting to go down this path? What do I think is so scary about that other road?”  Sometimes I just explore the ‘road not taken’ from an event in my past. And that kind of alternate reality is what makes writing fiction so much fun!

  1. How does my writing process work?

Wow! This is really a ginormous question. Except for my rewrite experience from my first book, I haven’t written one start-to-finish in more than … well, it’s been a very long time.

I know I make a lot of false starts. I can’t write raw on the computer (which is why it’s taken me 3 days to put this blog together). I tend to make a lot of notes – usually post-it size – for general plot ideas. I bought a huge roll of butcher paper a few months ago to try and use the ‘wall map’ approach to plotting a book, but I haven’t actually taken it out of the cellophane yet, so I’ll let you know how that works. Just keeping the 3×3 post-its in one place is challenge enough at the moment.

Eventually, I get down to one-on-one with a yellow notepad and I start writing the story. Like many authors, it’s very difficult for me to turn my ‘edit switch’ off in my head when I write, as I spend most of my 40-hour workweek editing hopelessly obvious or hopelessly abstruse test questions into something approaching usability. [More on that in my next book!]  So getting raw words out is my biggest challenge. Eventually, I go through the longhand yellow pages with a different colored pen & do a rough edit before I finally sit down at the computer and pound the keys into submission. There’s the usual cursing and mumbling to myself about technology and why hasn’t the cortical up-link been invented yet, etc.

Dozens of people helped ‘beta read’ my first book, but that was a different era. I’ll have to let you know how it goes with this next effort. I do know that planning a 3-book series will take the pressure off trying to put everything I know into the first book in the series. With that in mind, I can probably keep the word count down to less than 150K. No promises, but it seems doable from here!

Thank you one and all for this opportunity to share with you. The two folks I want to tag for the next round on this blog haven’t replied to my query/request, so I’ll have to do an addendum to this post once I do hear from them. Meanwhile, if you are in the U.S., I hope you are enjoying a long weekend, and if you live elsewhere on the planet, I hope your Monday hasn’t been any worse than usual!

How Long Does It Take to Write a Novel? About 30 Years

August 2013

I was getting my hair cut last week in anticipation of “a photo shoot” [sounds so LA, doesn’t it?] next week.

When I told my hairdresser it was because my book was being released in September, she shouted: “You wrote a book! That is so awesome!” Her comment attracted the attention of the other two women in the shop, and I was a little embarrassed, and a little elated, by her response. So we chatted a bit about it.

“Is it about testing? You make tests, right?” 

“No, it’s not about testing. it’s a novel, set in the 1980s in California. Sort of a mystery and sort of a love story.”

Then she asked, “So how long does it take to write a whole book?”

“Thirty years,” I replied, and the burst of laughter from the other end of the shop told me that the other women had been following our conversation. 

And that little exchange reminded me all over again of how important stories are to our lives. We hunger for them, learn from them, laugh about them, cry through them. And at some level, we measure ourselves by stories—we become the hero, or we recognize the pitfall even as we are dropping into the void of someone else’s mistake. All well-told stories are an invitation to enter another world, one we never even knew existed, but one that entrances us and challenges us and helps us grow.

The fact is, I spent a good deal of my adult life being puzzled by my own behavior—not understanding why I felt so driven to succeed (which only meant making a lot money when I was younger), why I was so angry, why I couldn’t seem to enjoy anything for itself without a drink in my hand and several inside of me. … Yes, talk therapy helped, but that was a puzzle, too. “My family? Why do you want to know about my family? I haven’t lived with them since I was a kid. I want to know why I’m so miserable now!”

So writing a novel—externalizing some of my experiences and giving them to someone else to deal with—seemed like an idea worth pursuing. And I liked to write. Just ask my editor! 

No, I didn’t actually write for 30 years. I wrote for a year, then like all the experts tell you: I set it aside and let it rest… for about 48 hours. Then I rewrote it. By the time I got to the end of the second version, I was beginning to see what the story was really about. Which meant, of course, that I had to write it again. By the third version, it had chapters, complete sentences, and a nearly coherent timeline. Then life intervened, and it sat in a dust-collecting spot for a couple of decades before I reconnected with my friend Charlene Brown, who had started Clover Valley Press and was looking for another author to add to her select group. I was really honored that she remembered my manuscript from so long ago, especially since she’d read one of the early versions! 

I am still amazed at the response I get when people find out I’ve written a book. I’ve also discovered that there are a lot of wannabe writers out there. And if there is anything I can do or say to encourage those folks to keep at it, or even to start their writing journey, then I want to do and say those things.

We all need stories. We need your stories and my stories, because each of us needs to make sense of our life before it’s all over.      – SjC